Meena Chhipa
Third-generation dabu resist printer. Mixes her own indigo vat and will tell you, at length, why yours failed.
Bagru, RJ
Three hundred and eleven makers across fourteen states. They set their own prices, write their own listings, and keep 94% of what you pay. The other 6% covers the stall, the card machine and this website.
Everyone here has been at the bazaar for at least three months. The full roster lives on the stall board — it changes too often to keep online.
Third-generation dabu resist printer. Mixes her own indigo vat and will tell you, at length, why yours failed.
Bagru, RJ
Two potters, one kiln, wood-fired every six weeks. Ash glaze from their own orchard prunings.
Auroville, TN
Cuts lino in the evenings after teaching. Editions are small because he prints them all by hand on a press he built.
Kochi, KL
Ajrakh, sixteen stages, natural dyes only. Works to the season — nothing ships during the rains.
Bhuj, GJ
A family workshop hand-beating brass and copper. The craft is on the UNESCO list; there are fewer than thirty of them left.
Jandiala Guru, PB
Etcher and printmaker. Plates are bitten in the studio she trained in, and she still shares it with four others.
Santiniketan, WB
Dhokra lost-wax casting, unchanged for four thousand years and not about to change for us.
Kondagaon, CG
A screenprinting collective of six. They pull everything themselves and split what comes back evenly.
Bengaluru, KA
We take makers, not brands. If you make the thing yourself, bring three pieces to a Saturday bazaar and talk to whoever is on the stall — that is the whole application process, and it has not changed since 2026.